Anti-Black Imagery - Jim Crow Museum
Mammy and Uncle Mose: Black Collectibles and American Stereotyping (Blacks in the Diaspo): Goings, Kenneth W: 9780253325921: Amazon.com: Books
Pair of salt and pepper shakers in form of "Mammy" and "Chef" | National Museum of African American History and Culture
Photo Essay: Objects in Residence
Jim Crow Museum Of Racist Memorabilia 'Aims To Teach Tolerance' (PICTURES) | HuffPost UK News
Mammy and Mose figures sold in Alabama: Historical collectibles or offensive reminder of racism? - al.com
That racist cookie jar from Master of None is real, and it's for sale all over the internet.
Uncle Mose and Aunt Jemima salt and pepper shakers" by University of Southern Maine Special Collections
Mardi Gras 2018: Parade goers given blackface figurines before annual Fat Tuesday parade today - CBS News
These Racist Collectibles Will Make Your Skin Crawl – Mother Jones
For One Springfield Woman, A Complicated Desire To Preserve Racist Emblems | WBUR News
These Photos Show The Casual Racism Of Everyday Objects
Racist Signs And Toys Teach Tolerance At Jim Crow Museum | Ideastream Public Media
Vintage 1950s Black Americana Aunt Jemima And Uncle Mose Salt And Pepper Shaker inglesefe.com
Found these old timey racist salt and pepper shakers in North Carolina : r/WTFgaragesale
The Challenge of Making a Film About Racist Relics | PBS | Independent Lens
Humanities | Free Full-Text | Curating Identities in the “Other” Office: My “Colored Museum”
Museum's racist exhibit tries to promote racial understanding
Mardi Gras 2018: Parade goers given blackface figurines before annual Fat Tuesday parade today - CBS News
What's cute about racist kitsch? / Are 'Mammy' and 'Uncle' replicas OK just because similar antique figurines have become popular?
Uncle Mose salt and pepper shakers" by University of Southern Maine Special Collections
Black Americana Vintage Salt Pepper Shakers - Capsule Auctions
Pair of salt and pepper shakers in form of "Mammy" and "Chef" | Smithsonian Institution
Ready to Serve: The Mainstream Ideal, 1930-1960 – For All The World To See - UMBC
